ANDREI TARKOVSKI: ARTIST AND SPIRITUAL MAN

Authors

  • Agustín Garcells

DOI:

https://doi.org/10.26807/cav.v0i01.18

Keywords:

art, religion, thought, film

Abstract

This essay constitutes an approach to the thought of the Russian filmmaker Andrei Tarkovski. This analysis focus in the roots of his thoughts within the hesychast Slavic literary and philosophical-religious tradition.  Next, an analysis of his philosophical-religious and aesthetic conceptions is performed. This article, as well, studies his thought about the theological, ontological and anthropological point of view and his definitions of art and cinema.

Key words: Tarkovski, film, art, religion, thought.

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Author Biography

  • Agustín Garcells

    Cuba, 1979. Licenciado en Historia del Arte por la Universidad de La Habana, Cuba (2003). Licenciado (2011), Máster (M.Sc.) (2012) y Candidato a Doctor en Teología (2012-2018) por la Universidad Aristotélica de Tesalónica, Grecia. Es profesor de Historia del Arte, Teoría del Arte y Estética en la Carrera de Artes Visuales de la Pontificia Universidad Católica del Ecuador en Quito.

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Published

2016-06-30

Issue

No. 01 (2016)

Section

Art Themes

License

ÍNDEX, Journal of Contemporary Art, manages its content rights under the Creative Commons Attribution–NonCommercial 4.0 license. In this regard, submissions remain subject to the author’s decision.

How to Cite

ANDREI TARKOVSKI: ARTIST AND SPIRITUAL MAN. (2016). Index, Contemporary Art Magazine, 01, 18-31. https://doi.org/10.26807/cav.v0i01.18

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