The Feminine paradigms embodied in art and perception of women at the beginning of the 21st century in Mexico and Latin America

Authors

  • Gabriela Arhelí García Guerra Universiad Autónoma de Chihuahua
  • Coral Revueltas Valle

DOI:

https://doi.org/10.26807/cav.v0i07.210

Keywords:

female image, colonization, art, representation of paradigms

Abstract

Women image represented in art has been transformed according to their context, which followed beliefs and purposes. Two decades ahead, 21st century, it is possible to recognize paradigms origins for feminine image, as well as to make a criticism towards these obsolete thoughts nowadays. In this way, this article hopes to show some of the feminine conceptions, mainly in Mexico and Latin America. It is pointed out by different authors and artistic works, imply that elements of domination over woman’s body can be seen in this context, but also are applied over other vulnerable groups. Finally, different thoughts on the meaning of art and the power it has on viewers.

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Author Biography

  • Coral Revueltas Valle

    Doctora en Imagen, Arte, Cultura y Sociedad por la UAEM; realizó la Maestría en Artes Visuales

    en la Academia de San Carlos FAD UNAM y la Licenciatura en Grabado en La Esmeralda, de la Escuela Nacional de

    Pintura, Escultura y Grabado del Instituto Nacional de Bellas Artes. Ha sido becaria del Sistema Nacional de Creadores

    de Arte del FONCA en dos ediciones.

Published

2019-06-30

Issue

Section

Art Themes

How to Cite

The Feminine paradigms embodied in art and perception of women at the beginning of the 21st century in Mexico and Latin America. (2019). Index, Contemporary Art Magazine, 07, 26-31. https://doi.org/10.26807/cav.v0i07.210

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