Apolinére enameled (from) Álvaro Barrios, 1979-1980: appropriation as cultural hybridization
DOI:
https://doi.org/10.26807/cav.v0i03.53Keywords:
Álvaro Barrios, Apolinére enameled (from) Álvaro Barrios (1979-1980), appropriation, cultural hybridizationAbstract
Based on Néstor García Canclini’s arguments in Hybrid Cultures (1990) and "Recent News on Hybridization" (2000), and Juan Martín Prada’s postmodern appropriation (2001). This article deals with Álvaro Barrios’ (1979-1980) the work “Apolinére enameled (from)”, that involves versions of the ready-made Apolinére enameled by Marcel Duchamp (1917 – 1918). This work untangles certain binary concepts such as popular / cult and local / global, with joint integration processes of interrelation, pollution and cultural hybridization, to break concepts such as historical time, pure, authentic, identity, and original.
Keywords: Álvaro Barrios, Apolinére enameled (from) Álvaro Barrios (1979-1980), appropriation, Cultural hybridization
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