Creative and aesthetic resistors of protest:

about actions and activisms in the public space from social and community contexts

Authors

  • Fernando Eduardo Falconí Abad

DOI:

https://doi.org/10.26807/cav.v0i08.293

Abstract

This article reviews different expressions, gestures, and actions in society, and in indigenous segments and communities in Ecuador and Mexico, linked to social protest in public space. I make a contextual study of these protests, as well as their creative, aesthetic, and poetic approaches. I’m interested in dialogues, relationships and conflicts that are related to activism, artivism and art, both in background and in form, as well as its image and impact on society. The struggle for human rights and nature’s rights, or demonstrations against racism, the abuse of power from the system or the resources’ abuse, are elements that contribute to the organization of people that develop creative strategies and policies linked to the staging of the body in space and, in most cases, analyzed with an ancestralism and rituality from indigenous cosmovision. They are linked to a Philosophy, Ethics and Aesthetics of Liberation.

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Author Biography

  • Fernando Eduardo Falconí Abad

    Artista transdisciplinar, gestor cultural, docente universitario y artivista. Doctorante en Artes en la Universidad de Guanajuato, México. Master en Arte y Nuevas Tecnologías en la Universidad Europea de Madrid, España. Licenciado en Artes Visuales en la Universidad de Cuenca, Ecuador. Tiene reconocimientos y selecciones nacionales e internacionales en arte contemporáneo (artes visuales, arte de acción, arte público, inserción de arte en la esfera pública, arte contextual, arte y comunidad, arte relacional). Ha expuesto en Ecuador, Colombia, Bolivia, Chile, Argentina, México, España, Italia y Estados Unidos. Catedrático en diferentes Universidades del Ecuador. Desde el 2008 al 2012 trabajó como coordinador académico de la Carrera de Artes Contemporáneas de la Universidad San Francisco de Quito. Ha sido coordinador desde el 2000 en diversos proyectos y plataformas artísticas. Desde el 2011 hasta el 2017 fue coordinador general de Cuarto Aparte, plataforma autónoma de arte contemporáneo.

Published

2019-12-31

Issue

Section

Dossier

How to Cite

Creative and aesthetic resistors of protest:: about actions and activisms in the public space from social and community contexts. (2019). Index, Contemporary Art Magazine, 08, 202-209. https://doi.org/10.26807/cav.v0i08.293