How to think design and its history

Authors

  • María Luz Calisto Ponce Pontificia Universidad Católica del Ecuador

DOI:

https://doi.org/10.26807/cav.v0i07.211

Keywords:

design, history, memory, documentary archive, culture, culture material

Abstract

Based on two investigations of documentary archives that contribute to understanding the history of architecture, design and art in Ecuador, this paper analyzes the process that history has undergone and its relationship with these disciplines. Architects, designers, and artists take on the challenge of becoming historians of our fields of expertise, given that in Latin American countries there are no historians interested in the subject. We provide an account of ways in which history is made searching where and how to think about design and its history in Ecuador.

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References

Burke, P. (ed.). (2003). Formas de hacer historia. Barcelona: Alianza Universidad.

Calisto, M.L. (2017). Recorrido por el Diseño Gráfico ecuatoriano, a través de la palabra y obra de sus actores. Aproximación histórica desde los antecedentes hasta inicios del siglo XXI y análisis visual. Tesis doctoral. Universidad del País Vasco, Facultad de Bellas Artes.

Calisto, M.L. y Calderon, G. (2014). Diseño Gráfico en Quito-Ecuador 1970-2005. Quito: Instituto Metropolitano de Patrimonio, Pontificia Universidad Católica del Ecuador.

Dosse, F. (2006). La Historia en migajas. México: Universidad Iberoamericana. Departamento de Historia.

González Ochoa, C. (1995). A lo invisible por lo visible. Imágenes del Occidente medieval, México: UNAM.

González Ochoa, C. y Torres Maya, R. (2012). Diseño & Consumo. México: Designio.

Le Goff, J. (2005). Pensar la Historia. Modernidad, presente, progreso. Barcelona: Paidós Surcos.

Maiello, F. (1988). Jacques Le Goff. Entrevista sobre la Historia. Valencia: Ediciones Afonse El Magnánim. Institució Valenciana D"™Estudis i Investigació.

Published

2019-06-30

How to Cite

Calisto Ponce, M. L. (2019). How to think design and its history. Index, Contemporary Art Magazine, (07), 120–128. https://doi.org/10.26807/cav.v0i07.211

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