Premises for approaching artistic work from an object-oriented ontology. Note and approximations
DOI:
https://doi.org/10.26807/cav.v11i21.679Keywords:
Ontology, Objects, Epistemology, Knowledge, Experience, ReflectionAbstract
This paper reviews some concepts from Object Oriented Ontology (Harman, 2016 a, 2016 b, 2019, 2021; Morton, 2023), For this purpose, a review of concepts was carried out and 5 premises were identifield that fulfill the objetives of guiding reflection, hoping that in this way we can contribute to knowledge, from a conceptual openness that implies assuming that there are multiple forms of knowledge and ways of apprehending the artistic object. This requires tuning people and objets, assuming that they are in the middle of a continuun in which one participates to the extent thay they manifest themselves by some of their qualities or constitutive elements, allowing people to approach artistic objects, this supposes the rcognition of unconventional ways of approaching and apprehending the artistic object, understood as a process from the proposed philosophical approach.
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