Exótica

Photoactivism, empathy and the politics of affections.

Interview with SADO photographic collective.

10-24

Notes on artistic neo-extractivism in Latin America

25-38

The baroque image as a strategy of subjection of the indigenous to the civil and ecclesiastical power in Quito in the second half of the seventeenth century. The case of the painting healing of a demonized indian

39-51

On the other side of the mirror

Some ideas about ideology and fetishization in the film The Animatrix.

52-70

Minerva Ayón: A queer assemblage

71-86

BACK IN THE CHILDHOOD HOUSE

Exhibition: Los hijos de Pedro Pan by cuban-american artist Ernesto Pujol.

87-101

El Telégrafo archive: Pedagogical and artistic practices at uartes

102-121

Art and gender: Ruby Larrea

122-139

Notes about the notions of indisciplinarity and thoughtcrime as ways of restoring the image

140-152

The Grandfather's steps

153-170

The Ecuadorian jungle, or the rest, visit the museum

171-178

Everyday archeology, Ilowasky Ganchala

179-196

Talō contemporary art

Galery and meeting space

197-206

Cáceres, José Antonio. (2020). Figura. Edition, study and notes by Emilia Oliva. Text by Fernando Millán. Facsimile reproduction. Cáceres, Spain: Publications Service of the University of Extremadura (UEx). 209 pages. ISBN: 978-84-9127-060-7.

207-219