TO HAVE AND HAVE NOT SERIES (2017-2020)

Main Article Content

Ilich Castillo

Abstract

The person-object relation develops a constant formula and, seemingly due to the fact, invisible in our daily activities. I consider myself reflexively in that relation, focusing on the perception-hand-object triad. This reflection came up wherefore, due to a domestic scale methodology that I explored in my job. It contains three phases, not necessarily consecutive or linear: experience-experiment-knowledge/awareness. Therefore, photographic collages arise, looking into the tactile perspective of daily space. The idea was to generate studies/speculations with the originated/adapted material within the domestic contingency, balanced it as ingest that fluctuates on its original purposes, minded in preference at its functional or cognitive peripheries, keeping up at the service of the experimental ludic instant, or a kind of opaque didactic. Here I have only given an insight on some possibilities, conceived as possibilities to organize my material world experience.

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How to Cite
Castillo, I. (2020). TO HAVE AND HAVE NOT SERIES (2017-2020). Index, Contemporary Art Magazine, (10), 2–27. https://doi.org/10.26807/cav.vi10.396
Section
Vissual Essay
Author Biography

Ilich Castillo, UArtes

Ilich Castillo. (Guayaquil, 1978). Ha realizado exhibiciones individuales en el Centro de Arte Contemporáneo CAC, Quito- IN- Arte Contemporáneo, Cuenca- Ecuador; Fundación Odeón, Bogotá-Colombia, Demolden Video Project, Santander- España.

Ha participado en numerosas muestras colectivas en lugares como MAC, Santiago- Chile, MARCO, Vigo- España, CIFO Art Space, Miami- E.U., Lugar a Dudas, Cali- Colombia, Telefónica, Lima- Perú,  La Casa Encendida, Madrid- España, entre otros. También ha representado al Ecuador en las siguientes bienales y festivales internacionales:  Bienal de la Imagen en Movimiento (BIM), Buenos Aires (2011-2014); 15th  Edition Festival des Cinémas Différents et Expérimentaux de Paris, Collectif Jeune Cinema, París; 8º Festival “Jornadas de Reapropiación”, México D.F. (2012); Bienal Internacional de Cuenca (2004, 2011, 2018);  Bienal de VideoArte, Banco Interamericano de Desarrollo BID, Washington D.C. (2010) 

Entre sus distinciones se incluyen: Programa de Becas y Comisiones CIFO- Cisneros Fontanals Art Foundation. Miami, Florida (2017); Primer Premio, Salón Fundación El Comercio, Quito (2007); Primer Premio, 49 Salón de Julio, Museo Municipal de Guayaquil (2005); Premio París, (con LaLimpia), 8va. Bienal Internacional de Arte, Cuenca (2004).