Art as a desiring machine and producer of worlds in Oscar Santillán's artwork Epilogue
DOI:
https://doi.org/10.26807/cav.v0i13.464Keywords:
value, desiring production, worlds, desiring machines, Santillan, Deleuze and Guattari, Pietz.Abstract
This paper analyzes the artwork Epilogo by Oscar Santillan contemporary artist. This article will lead us to think of this piece as a desiring machine, a desire producer (within the framework of Deleuze and Guattari thought) and a producer of worlds, due to its quality of overflowing codes of social register, building their own codes, which goes beyond the boundaries of thoughts established in a certain historical and social context.
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Studio Antimundo: Oscar Santillán. (s.f). Portafolio Oscar Santillán. Recuperado de. https://oscarsantillan.com/new-page-3
Nelson Goodman. (1990). Maneras de hacer mundo. Recuperado de: https://monoskop.org/images/1/1f/Goodman_Nelson_Maneras_de_hacer_mundos.pdf
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Deleuze G. y Guattari F. (1985) El Anti Edipo Capitalismo y Esquizofrenia. Recuperado de: http://www.medicinayarte.com/img/gilles-deleuze-y-fc3a9lix-guattari-capitalismo-y-esquizofrenia-el-antiedipo.pdf
Rivadeneira, G. (2017) Profanar para crear. El arte y sus contra-dispositivos. En Register. (pp- 19-25). Recuperado de: https://www.researchgate.net/publication/321340382_REGISTER
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