Apartheid, Social Documentary Photography in South Africa and how the photographer David Goldblatt approaches the Apartheid in his daily life scenes

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Erika Daniela Ortiz Martínez

Abstract

The South African photographer David Goldblatt developed a particular way to approach everyday life under the Apartheid system, which ruled South Africa between 1948-1991. In this essay two of Goldblatt’s daily life photographs are observed in which he distances himself from the aesthetic used by the “Struggle Photography”. Thus, with an interplay between visibility/invisibility he shows the impact of this system interwoven in the daily life of South African citizens.

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How to Cite
Ortiz Martínez, E. D. (2023). Apartheid, Social Documentary Photography in South Africa and how the photographer David Goldblatt approaches the Apartheid in his daily life scenes. Index, Contemporary Art Magazine, 9(16), 8–21. https://doi.org/10.26807/cav.v9i16.543
Section
Art Themes
Author Biography

Erika Daniela Ortiz Martínez, No affiliation

Erika Daniela Ortiz Martínez (Quito Ecuador, 1989). Licenciada en Artes Visuales de la Pontificia Universidad Católica del Ecuador, Máster en Historia del arte de la Universidad de Tübingen, Alemania. Actualmente doctorante en historia del arte en la misma universidad.

Ha participado en exposiciones artísticas colectivas como AME- Arte Mujeres Ecuador (Quito-2012), IKAS Art (Bilbao, España 2011), Fotografía Extralimitada (Quito, Ecuador 2011). Participó con la publicación La Sala de la Memoria: deconstruir la imagen fotográfica hasta develar ausencias en el libro “Trascámara. La imagen pensada por fotógrafos” (Quito, 2012-2013).

Tiene más de 4 años de experiencia en la docencia del arte para niños y jóvenes. Fue ayudante de cátedra en 2019/2020 en la Universidad de Tübingen codirigiendo un seminario con enfoque en espacios de negociación transcultural en la historia del arte. Desde el año 2022 participa en el grupo de investigación “Postwar futures”.

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