No. 18 (2024)

Issue 18 of ÍNDEX Arte Contemporáneo brings together reflections on the object, memory, image, and contemporary visuality through texts that range from the intertextuality of the object in Beatriz González’s work and a remembrance of Spencer Tunick’s intervention in Mexico City’s Zócalo, to emancipated images, women’s micropolitical voices in video art, the presence of Buenos Aires women artists from the first half of the twentieth century, and the construction of social imaginaries in virtuality. The issue is completed by Pamela Cevallos’s visual essay, Seats That Witness Time, and Giada Lusardi’s curatorial text on It All Started at Sunrise by José Luis Macas, shaping an edition focused on the relationships between art, memory, archive, politics, and visual perception.